WHAT ANNOYS – DELIGHTS – AND IS OFTEN UNEXPLAINED.
What is ANNOYING me this week?
The size of the boot in my car.
What is DELIGHTING me this week?
STILL – The Film shoot last Saturday
SOME OF MY DOINGS:
It all went as well as I had hoped, well better if I am honest, the film shoot on Saturday that is. With a limited number of hours in which to set up and gather the footage it was a tight schedule for the cast and crew who all came together and made it happen.
The Film, Double Booked was developed from a script by Keith Large, who has also produced the film. It stars Kim Joyce as Bob Heap, the Night Porter at the Best Lodge Hotel who is determined not to let anything disturb his sleep and Helen Bolitho as Nina Cole, a guest who has a problem with a man in her room and expects Bob to sort it out, I won’t give anymore away about how it plays out than that other than it is very funny.
Both actors were true professionals who delivered their lines time and time again as we took the shots from various angles, face to face, close up on Kim, close up on Helen and over Helen’s shoulder.
The day started with a crew meeting over brunch, going through the shots and the technical details, I was directing and operating the camera, Jimi was on sound and Jack was the production assistant doing all the running around and moving the equipment into position. With the team brief over and stomachs full we head to check and load the equipment into the car.
This included various props as well as the cameras, sound and lighting equipment it became apparent that a bigger car would have been in order and that maybe some of the equipment should have been take over to the location in Coalville earlier, but we managed to squeeze it all in and head over to meet with Keith and the two actors at the specified time of 3:00pm.
The shoot took place at Coalville Constitutional Club, an old building next to the railway line and set back a little from the road but not enough to remove all that noise of traffic which we were going to have to contend with. The Committee and Steward of the club had been exceptional in accommodating us; after all we would cause a certain amount of disruption. Putting up signs that created the hotel, moving things about, hiding objects that were not to be in shot and stopping people moving around the foyer area in their normal routine. Then upstairs in the function room, creating a hotel reception set. Nothing was too much trouble and they made us really welcome, certainly a place I would consider using again if a film called for such a building.
The shoot was in the evening as we could not access the rooms until 6:30pm, which was fine as the film takes place at just after midnight so it needed to be dark. We had allowed ourselves thirty minutes to dress the sets before Keith, Kim and Helen arrived to start the final run throughs. So we based ourselves in the Old hermitage Hotel who had kindly loaned us a conference room for a run through of the script. Initially around the table and then standing as Kim and Helen would be in the film. This was time well spent as it enabled Kim and Helen to get their lines right in terms of words and tone; it also developed expressions and interjections that worked well into the script. There were one or two slight wording changes that needed to be considered and with the adjustments made, we ensured we did not waste time in front of the camera. It also sorted out the practicalities of handling the props.
At 6:30pm, the crew headed to set up. The planning really paid off here, as the set dressing had been kept simple, in the main making use of what was already there and dressing it with ornaments. The main part of the set was to turn the DJ unit into a reception desk, which was done, using tow speakers, a shelf from B&Q, a poster created on PowerPoint and lots of gaffer tape and bluetac, even using bluetac to put a false light switch just inside the door – which caused some amusement at the end of the shoot when I removed it as it had been assumed that it was real and that it just did not operate the lights that we want to us. It took 20 minutes to turn a function room dance floor into a hotel reception, the art of deception may be a flimsy, taped together affair but it served our purposes.
We were joined by Maria Smith, a fellow Leicester writer who took stills of the production, some of which I will post here later when she has had time to sort them through. Harriet Warner, a performance poet and actress who supported as the second production assistant and was able to get the experience of working on a film shoot. Both were invaluable, Maria in creating a record of the shoot and Harriet through guarding doors and offering her thoughts on the footage.
The action started at around 7:15 with some establishing shots outside the building and then on to the shots in the foyer of the club so that we would be out of the way of the club users at the earliest opportunity. These in the can as they say, we move up to the function room for several hours and takes as we worked our way through the script and storyboard.
Lighting was the part I was least happy with and I need to spend far more time investigating this area of filming so that I can instinctively place a light and know what it is going to achieve in terms of coverage, warmth and shadow. It was very much trial and error, which to me delayed the process unnecessarily. With a small crew we have to double up in jobs, which is no excuse – the lighting was down to me and I think it could have been done better.
We filmed it over and again, over shooting as I felt it was better to have more footage to work with in the edit that less. Although we were viewing back the footage using a portable DVD player – one of the money saving tips I discussed on this blog before Christmas, I am sure that there will be something I will spot in the edit that will mean I need to use alternative shots, I am only too glad to have them.
Whilst I mention my money saving tips – the mic. boom made from a decorators pole was also excellent and in the end cost less that £20 to make.
Filming finished at around 11:30pm and we said our goodbyes shortly after that, with the crew of Jimi, Jack and I loading up the car and heading home.
This was my directing debut for a piece of comedy drama or any drama for that matter, those who know my previous films will know that I have never worked with actors, I am very grateful to Kim, Helen and Keith for their patience in working with me.
I am also very grateful to Jimi and Jack for their relentless work and to Maria and Harriet for support and effort on the evening.
Now to the Edit.
Here are some links to websites of those who were involved in this wonderful production.
Keith Large – Carrot Napper Productions:
Helen Bolitho Website:
Kim Joyce at the casting network:
Maria Smith’s Blog – First Draft Café:
Harriet Warner features in the film KES MEETS MAURICE – as Gill in the radio play Talkers and Doers: http://www.youtube.com/watch?v=SfLgz_6kVms&feature=youtu.be
LOST POETS – I will return to my lost poets next week, as I am preparing to record some of last years lots poets as feature pieces for Radio Wildfire, which I will start recording with Dave Reeves in early February and will keep you informed of the broadcast dates through this blog.
THE FIZZ – I will keep plugging the Fizz until the day – 24th January at 7:30pm at Polesworth Abbey with guest poet Gary Carr – plus Open Mic. – Admission is Free.
SOME OF MY COMING SOON DOINGS
Jan 17th – Goblin Folk and Poetry Club – Ashby
Jan 24th – THE FIZZ – Polesworth – Guest Gary Carr.
Jan 27th – Spoken Worlds – Burton
Feb 7th – Night Bluefruit – Coventry.