WHAT ANNOYS – DELIGHTS – AND IS OFTEN UNEXPLAINED.
What is ANNOYING me this week?
Not being able to match the widescreen aspect ratio of video with PowerPoint page sizes.
What is DELIGHTING me this week?
Someone’s Birthday last week.
Ma Vlast – Smetana.
SOME OF MY DOINGS:
Following my nominations for the Kreativ Blogger award last week, both Sarah James and Gary Longden have responded with randomness surrounding their lives which you can see on their blog posts using the links below.
Sarah James – http://www.sarah-james.co.uk/?p=2476
Gary Longden – http://garylongden.wordpress.com/2012/02/17/kreativ-blogger-award/
I am now waiting for their nominees to post their own randomness and further nominees. I see this as a way to find some really interesting bloggers as the Kreativ Blogger Award baton gets passed on.
This last week has seen me complete the first draft version of the film Double Booked, which I will be showing to the Producer Keith Large next weekend. This has been a great project to raise my skills in film making and to learn how to get the best out of my editing software.
Something that I thought would be easier than it turned out, was pulling together some sound effects for the sound of a background party, that according to the script was “a group of undertakers raising the dead in room 25”. This line was added as we were filming in a social club on a Saturday evening and there was a good chance that we would pick up some sound from the bar downstairs. So it was easier to explain it away in the script rather than try to record around it.
As it happened on the night there was little or no sound to disrupt the filming and so I was left with a line in the script that needed to be explained with a sound effect.
Initially I had someone going WOOHOO followed by laughter, which Jimi had sourced from a SFX site on the week. This however did not work as the woohoo sounded like some lost bird flying around the hotel and took the viewers focus away from the main action and dialogue as they tried to figure out what on earth sound was.
The Woohoo has now been dropped to the cutting room floor and laughter and a little clapping has taken its place.
The problem with a background sound is putting it in the background, making it sound as if it is taking place in another part of the building, rather than being an immediate sound that is in the same room. It is not just a case of turning down the volume as this does not take it out of the room. Jimi has the knack of understanding sound and the way it is layered from distant to near sound, of how sound changes when heard from the space in which it occurs to being in a different space where there is a barrier in between the source of the sound and the listener.
In reality we filter out sound when we are listening, only taking in the necessary noise to enable our comprehension, so we don’t really listen, only taking on the immediacy of the sound of the situation.
With films it is all the sound we want to control and deliver for the listener to take in, we filter out un-required sound before we present it to the viewer/listener – but there is the art of understanding what they will further filter out from the soundtrack, which may mean they miss something that although in the background is significant to the piece and therefore impairs their understanding of the whole piece.
There will not doubt be more work to improve the piece once Keith has viewed it, but I do feel it is shaping up nicely.
I have a few meetings coming up in the next couple of weeks for three potential projects, which are exciting opportunities to work with different groups on the development of new poetry, through activities where poetry would not normally feature, bringing the experience of writing poems into new domains and to new audiences. I am really excited at the opportunities and the recognition that poetry can bring something new and dynamic to activities that have been well established and now want to find a new way of expressing themselves and to tap into the creativity of communities.
There are a few reading opportunities in the coming week:
The Goblin Poetry and Folk Club is tomorrow night (Tues 21st) hosted by Brian Langtry at the Giggling Goblin Café in Ashby De La Zouch starting at 8:00pm – A great mix of poetry and music from the floor; this has developed into a fantastic addition to the gig calendar in the Midlands. Licensed Bar and Free Entry.
Friday (24th) Sees the February Spoken Worlds in Burton on Trent at the Old Cottage Tavern in Bykerley St. Hosted by Gary Carr is starts at 7:30pm. The pub is a Real Ale pub and the event is free entry.
I will also mention that on Tuesday 28th Feb there is Poetry Alight at the Spark Café in Lichfield, I will put a reminder on next weeks blog.
My Lost Poet this week is a Canadian Modernist who was part of the Montreal Group. His poetry has been described as sometimes Metaphysical and at other times Imagist. It is his Nature poems that explore Canada’s landscape that interest me, his best known poem The Lonely Land was inspired by Frederick Varley’s painting Stormy Weather, at a Group of Seven exhibition in 1926, but I am getting ahead of myself.
My lost poet is A.J.M. Smith (1902 – 1980)
Arthur James Marshall Smith was born in Montreal and whilst I can find very little about his childhood, it is noted that he came to England to study from 1918-20 and it is during this period that he discovers the latest thinking in poetry that moves away from the Victorian poetic ideals and sees the rise of Modernism.
Modernism in Canada was virtually unknown at this time, the first Canadian Modernist collection was published by Arthur Stringer with his collection Open Water in 1914. This was hailed at the time as being the first free verse collection to come from a Canadian Poet, but was not linked to Modernism until much later.
When Smith returns to Montreal he enrolls at McGill University and by 1924 he is the co-editor and writer for the McGill Daily Literary Supplement, a year later he co-founds with F R Scott the McGill Fortnightly review. The Review attracts many young writers such as A M Klein, Leon Edel and Leo Kennedy, the group was to become the Montreal Group, who developed and promoted the ideals of modernism in a cultural background that was entrenched in Victorianism.
Smith’s poem the Lonely Land, written in 1929, was inspired by Varley’s painting. Varley was one of the Group of Seven Painters whose haunting landscapes with their distinctive visions capture the spirit of the place. The Canadian vast tracts of isolation, snow wastes and tortured forest. I had the pleasure of seeing these paintings at the Ottawa National Art Gallery in 2004 and have loved them ever since. They encapsulate as an artistic image, the genius loci, leaving you with the unnerving feelings of remoteness and disconnection.
Smith’s nature poems are most often described as being Imagist, taking the ethos of getting inside an object and sharing its uniqueness, internalizing to discover the spirit of the object, rather than the place in which it exists.
His poem – “To Hold a poem” is the first indication of this move towards internalizing his view point and much of his Nature poetry is concerned with experiencing the world through objects and the relationship to the other aspects of the landscape. This differs from the Metaphysical view which externalizes, making comparisons between the object in relation to other objects. Smith however wrote poetry that explored these different themes. He had studied the Metaphysical poets such as John Donne and his early work.
Smith in both his Imagist and Metaphysical poems seeks to put an order into things, whilst he describes the action, energies and forces at work in the landscapes, he is seeking to put the meaning and structure into these worlds. Smith to some extent goes beyond the theories of the Imagists, who see the role of the poet gaining an intellectual synergy with the object and describing what is found through the experience, but purely focusing the object. Smith goes beyond this and internalises thought.
Smith received his Doctorate from Edinburgh University in 1931. From 1936 he is promoting the poetry of other poets and is the co-editor of New Provinces an anthology of the Modernists.
It is at this time that he takes up the post of Professor at Michigan State College a position he held until his retirement in 1972. He became a naturalized American but spent his summers in Quebec. He was to become known as not just a poet but also a scholar who published many books and essays that brought Canadian Poetry to a wider audience.
He died in Michigan in November 1980. It was noted that he made a great contribution to the improvement of Canadian literacy.
Anne Compton’s Essays on A.J.M. Smith
“AFTER THE EBB-FLOW”: A.J.M. SMITH’S NATURE POETRY
Patterns for Poetry: Poetics in Seven Poems by A.J.M. Smith
Roderick Wilson Harvey Essay on A.J.M. Smith
“To Hold in a Poem”: Tension and Balance in A.J.M. Smith’s Verse
Michael Darlings Essay on A.J.M. Smith
A. J. M. Smith’s Revisions to His Poems
Ken Norris’ Essay on Canadian Modernism
The Beginnings of Canadian Modernism
The Group Of Seven – Links to websites on the Group of Seven Artists.
SOME OF MY COMING SOON DOINGS
Readings in February
Feb 21st – The Goblin Folk and Poetry Club – Ashby
Feb 24th – Spoken Worlds – Burton
Feb 28th – Poetry Alight at the Spark Café – Lichfield.
Readings in March.
March 6th – Night Blue Fruit – Coventry – Guest Poet Jan Watts.
March 17th – The Goblin Poetry and Folk Club – Ashby
March 24th – Spoken Worlds – Burton
March 27th – The Fizz – Polesworth – Guest Poet Barry Patterson.
March 30th – Leukaemia Research Fund Raiser – Progressive Club – Tamworth.