Posts Tagged ‘Jan Watts’


What is ANNOYING me this week?

The aches have turned into a sniffle.

What is DELIGHTING me this week?

The potential of future projects


Bonn Ist Supreme – Robbie Basho


Last week saw me flitting about a bit, the main event of the week was Poetry Alight at the Spark Café in Lichfield and most of you will have seen on my extra blog last week with my review of this excellent event. For those who missed it you can see it here: https://pollysworda.wordpress.com/2012/02/29/it-takes-just-a-spark-to-set-poetry-alight/

Perhaps I should clarify my use of the word flitting as it sounds a little flippant. I am not referring to the meetings or events which were all purposeful and full of glorious value and potential. Flitting refers to the state of my unsettled mind and is an inner feeling that I may not outwardly express.

So having cleared that up, the Lichfield poetry event was not the only item in my busy diary as I had meetings to set up some workshops for The Wall project, these will take place later in the month, with the Tamworth Writers Group and three community cafes, exploring responses to the lyrics of Pink Floyd.

Thursday saw the fortnightly meeting of the Runaway Writers’ with some excellent pieces from the members including the latest from Margaret Torr’s children’s novel where the main character is James, whose adventures in his flying wheelchair are full of delight and enchantment with a cast of characters whose quest is enacted in a world of disrupted time. Margaret is a natural story teller who keeps me hooked – I can’t wait for the next instalment.

Friday saw me flit across to Stafford for a meeting to discuss the potential role of Staffordshire Poet Laureate which has been very well received and although it is not confirmed that this will happen. The County Council are keen to explore how this role can be shaped and how a framework to sustain it can be developed. Something I will be working on in the coming weeks and may well ask for further ideas from local poetry community.

Barry and Chloe Hunt create the right vibe.

On Saturday evening, I was delighted to catch up with one of the Poets Trail Poets, Barry Hunt, The singer /songwriter who was performing with his daughter Chloe at one of the local village pubs. They performed a great set with a mix of modern to traditional songs including their own material that provided something to induce the rock/folk/pop vibes of everyone. Barry is a master guitar player who eased his fingers around the frets to produce a warm vibrant sound to accompany Chloe as she gave us her special blend of confident vocals.

You can catch Barry and Chloe at the Yardbird in Birmingham on 18th March.

Yesterday saw me banish the sniffles to their nasal pit and head into historic workshop of the world, Birmingham to record two more Lost Poets for Radio Wildfire.

So staying with Radio Wildfire – on to this week and the upcoming events.

Radio Wildfire’s live broadcast is tonight at 8:00pm (GMT), which Dave Reeves informs me, includes a great line up of Spoken Word and Music.

Tonight’s broadcast

www.radiowildfire.com – Monday 5th March 8.00-10.00 pm (UK time) + Jan Watts’ Laureate’s Diary from 10.00pm + Gary Longden with Longden’s Listings.

March: in like a lamb but we’ve got a lion of a programme lined up in this month’s Radio Wildfire Live!

Listen in for a poem from Jenny Hope submitted to Radio Wildfire especially for Earth Hour 2012; a memoir from Jonathan Taylor extracted from the poignant story of his father’s struggle with Parkinson’s, Take Me Home published by Granta Books; a variety of production poetry variously using multilayered voices and backing drumming from Stephen Mead, Andrew Barnes, and Zeandrick Oliver & James G. Laws; and a short play from Keith Large called Where Does He Go On A Wednesday? – a mystery drama set around life in a timber company, it’s vibrant and engaging and most definitely not wooden: with all of the above having been uploaded to the Radio Wildfire Submit page.

There’ll also be songs featured from the new cd by David Francis, On A Shingle Near Yapton, a truly exceptional piece of work from the New York singer-songwriter and poet; the latest edition of Mal Dewhirst’s The Lost Poets; and, as if that wasn’t enough, in the studio we’ll have poet Roz Goddard talking about her role as coordinator of the West Midlands Readers’ Network.

Plus we’ll be announcing exciting news about another Radio Wildfire live Outside Broadcast that will celebrate 75 years of the Mass Observation Movement.

The show, as always, is presented by Dave Reeves.

Radio Wildfire Live! is followed at 22:00 by the monthly diary from Birmingham’s poet laureate with Jan Watts’ Irons in the Fire and then Longden’s Listings with Gary Longden, the only complete spoken word events diary being transmitted. Listen in and catch your own events being discussed.
Join us: Monday 5th March from 8.00 pm UK time at www.radiowildfire.com

Radio Wildfire: the purr of the big cat’s whisker.

Talking of Birmingham Poet Laureate, Tuesday 6th sees the Monthly Night Blue Fruit in Coventry with the wonderful Jan Watts as guest poet plus open mic. This event starts at 8:00pm at Taylor John’s House in the Canal Basin in Coventry.

On Wednesday I have a meeting with the local council to discuss creative people and places followed by the Mad Hatter’s Writers Group – then I have a free diary to do some writing, film editing and attend a rehearsal for the Leukaemia Research Fund raiser which is on March 30th. Busy,busy, busy – I love it.

My Lost Poet this week is Matsuo Bashō (1644 – 1694)

I first came across this Japanese Poet through the guitarist Robbie Basho who changed his name to Basho in honour of this master poet who developed the structures of Japanese poetry forms that gave us the Haiku, from the traditional forms of Tanka and the collaborative Haikia no renga.

Matsuo Basho was born Matsuo Kinsaku and was also known as Matsuo Chūemon Munafusa he is the most famous poet of the Edo Period of Japanese Literature and Culture. His father was a low ranking Samurai which would have seen Matsuo progress to a life in the military had he chosen a less notable path for his life.

However as child Basho became a servant to Tōdō Yoshitada, who shared Basho’s love of collaborative poetry known as Haikia no renga which saw a poem constructed starting with a Hokku in strict 5-7-5 mora format followed by a 7-7 mora verse from another poetic voice. Basho and Yoshitada developed their voice that saw the first of Basho’s poems published in 1662, they collaborated on several pieces including a one hundred verse Rengu in which they collaborated with several other voices.

It was Yoshitada’s sudden death in 1666 that saw Basho lose the comfort of the role as servant and to resign himself away from a samurai life to become a traveler, he is indecisive as to whether he should become a full time poet and continues to write and be published in anthologies. Renga and Haikia no renga are viewed as low status pastime rather than high artistic form and this may well have influenced his indecision. He does however produce a publication in 1672 entitled the Kai Ōi or the Seashell Game, where he compares the merits of poems produced by him and others.

It is at this time he heads for Edo and ingratiates himself within the fashionable Literary Circles, his poetry is recognized for its natural style and simple form and he is soon initiated into the inner circles that enables him to teach and he is soon the tutor of twenty pupils. Despite this new found appreciation, he feels the need to take himself out of the public eye for a more isolated life and following a series of events such as the death of his mother and his hut burning down his dissatisfaction grows and leads him to embark on the first of four major journeys, two of which I will discuss here..


Travelling throughout the country at this time was considered a dangerous affair and Basho’s initial anticipation was that he would be killed by bandits in some remote location. His mood changes as his journey progresses and he makes friends, his poetry takes in the world around him and reflects his observations rather than the introspective themes of his earlier poetry.

His journey takes him to places such as Mount Fuji and Kyoto where he meets other poets, who seek his advice. In the summer of 1685 he returns to Edo, much refreshed and happily resumes his teaching post. The poetry from his journey is published as Nozarashi kikō Account of Exposure to the fields. Despite his apparent new found contentment in Edo, Basho knows that this will only last through the thought of another journey which he privately plans.

The culmination of the planning leads to him setting out on a journey with his apprentice Kawai Sora in 1689 that saw them explore the Northern Provinces on an epic 2400 kilometer trip. Basho documents the journey in a log, creating poetry as he goes. This was published posthumously as Oku no Hosomichi
The Narrow Road to the Interior.

Basho returns to Edo in 1691 and suffering from illness in his later years, he spends his last days receiving visitors, he died peacefully in 1694 and although he never wrote an official deathbed poem, his last poem has been taken as being a fitting farewell to his life.

tabi ni yande / yume wa kareno wo / kake meguru
falling sick on a journey / my dream goes wandering / over a field of dried grass [1694]

Basho interests me on several levels. His development of the Haiku from the traditional forms not being the least. The Haiku becoming a standalone form of the original Hokku.

I can see the similarities between his life and that of Michael Drayton, both poets went into service of literary patron as children who nurtured their craft as poets. Both head to the cultural capital to enhance their study and careers, both write landscape explorations Basho as described above and Drayton PolyOlbion. The Polesworth Circle also wrote collaborative poems through letters, examples of poems written between John Donne and Sir Henry Goodere still exist for us to study.

Collaborative poetry has also been a feature of some of my work in the last year, with the Kite poem on the Poets trail using the words from the Primary School children and the Word poem developed as part of the Nuneaton Summer poetry day.

Links to further information on Matsuo Bashō

Classical Japanese Database – Has some of Bahso’s Haikus

Simply Haiku has an account of Basho’s last days


Readings in March.

March 5th – Radio Wildfire – Lost Poets. – Broadcast then on the Loop.
March 6th – Night Blue Fruit – Coventry – Guest Poet Jan Watts.
March 17th – The Goblin Poetry and Folk Club – Ashby
March 24th – Spoken Worlds – Burton
March 27th – The Fizz – Polesworth – Guest Poet Barry Patterson.
March 30th – Leukaemia Research Fund Raiser – Progressive Club – Tamworth.


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Review of Poetry Alight at the Spark Café Lichfield on 28th February 2012.

Last night saw the first of an occasional series of Poetry events in Lichfield. The Lichfield Poets who are regular readers at poetry events across the Midlands held their own event at the Spark Café in the centre of this ancient city.

It was triumph of poetic endeavour that saw 25 poets read, including six guest poets with six minutes spots at the start and finish of each of the three halves (shades of Spoken Worlds here, three parts is perhaps better), mixed in with readers with three minute spots which in the main was respected to ensure that the evening kept to time.

Set in the surroundings of a modern but everyday café that has the comfort and intimacy that the corporate coffee chains lack. We saw readers and performers from across the Midlands and one from south Yorkshire, meet to explore themes of love, relationships, to making soup, praising the roll of the goalkeeper and an observation that rock and roll deaths are not what they used to be.

Host - Gary Longden in action

The evening was hosted by Gary Longden, who did an excellent job, as a natural raconteur with his poetry and imaginative introductions that whilst often full of humour, showing his high respect for his fellow poets as they took to the stage.


Jan Watts

The evenings performances featured three Birmingham Poet Laureates, including the current incumbent Jan Watts who started the evening with one of the six minute guest poet spots, with her take on pantomime, with a modern look at Sleeping Beauty which was delivered with a chorus of I am Sleeping Beauty in true Spartacus fashion from the audience. Her next poem was one of a memento from her Grandfather, through his Desert Spectacles and the wonder at what he saw through them, trying to capture an insight into a time of his life that he never discussed. She finished with a poem on the lure of reduced items in Sainsbury’s. She captured the audience with her mix of humour and thoughtfulness and set a high standard for the night.

Anthony Webster - Looking every bit the Poet that he is!

Jan was followed by the first of the Lichfield Poets, Anthony Webster, who looks like a poet should with his shoulder length hair and hint of a beard. His experience as an actor transferred to his delivery of a Love poem and appropriately for the surroundings a Cafeteria Encounter, these were delivered with a considered voice that resonated around our ears.

Next was one of the Polesworth Poets Trail poets, Penny Harper, who evoked the spirit of a dusty road in India as she travelled to a temple, capturing all the feelings and senses in her words that took you for short time to this sacred place. She followed this with a poem about the ritual and tranquillity of her husband making soup that showed an idyllic pace of life that we can all achieve if we just slow down and contemplate the pleasure of making something. Wonderful poems.

Val Thompson another of the Lichfield Poets, then explored a fascinating take on the poetry of creaks and bumps that permeate the house as pipes debate with radiators punctuated by the interjections of rafter creaks. She followed this with a piece on that time that is neither night nor day, 4:00 am as the dark shifts its curtain to introduce the dawn. Val finished with a poem called Gastric Tract that left the sufferer with pockets of pain to count the stars.

Last years Birmingham Poet Laureate Roy MacFarlane gave an excellent reading with an exploration of what freedom really is through the telling of the experience of Richard Prior at his first gig in Las Vegas where he literary took fright and ran away. He followed this with a tender Father and Daughter experience running through the rain, encouraging his daughter to keep going because they are nearly there, knowing that as a father this was a lesson for life, no matter what, you need to keep going because you are nearly there. This was a poignant piece and one of the readings of the night.
Roy finished with Poetry and Chocolate, how he needs both, with words that gave the listener the poetic experience of eating the finest, smoothest, richest delight.

Heather Fowler then explored an Organic Woman through her relationship with her mother and the experience of boxing up a lifetime of experience into the removal van with Job Spec. She finished with Perfect Sight that questioned what Her Majesty the Queen would think, should she visit one of her Prisons, all too good effect.

Charlie Jordan - Caring for Words

This section was finished with second guest poet and former Birmingham Poet Laureate Charlie Jordan whose well crafted clever poems delivered from memory captivated the audience as she explored through sonnets observing a lover shaving with all the tender expectation of young love. She followed this with a sonnet in praise Goalkeepers, empathising with their plight of being under appreciated when they save the shot and prevent the goal, to being the butt of criticism when the ball makes it into the back of the net. Her final poem delivered another of the performances of the night. The poem about words and taking care of our words, saw the audience hold its breath so as not to miss a single nuance of this skilfully crafted poem.


THE SECOND part was opened by Gary who settled the audience back to the poetry with his poem that suggested that Rock and Roll death’s are not what they once were, more purple hearse than purple haze and that it was what you achieved before you die rather than an MTV funeral that defined true musical legends. This was well delivered and very well received.

Gary then introduced the next guest poet, also from Birmingham and a fine poet she is too. Marcia Calame defines herself through her poems; she is the ink on the page that needs to be read. Her second poem Bric-a-Brac described the little shop of everything, where the price of goods was valued by the customers. This clever poem about doing, believing and getting your hands dirty; Taking hopes and smiles and creating your own bliss by putting your own value on things and not expecting to be fed your entertainment and opinions. Another performance of the night. She finished with My Anthem another defining poem with a rhythm that describes what drives her. She is someone I have not heard read before and will certainly try and catch again.

Marcia was followed by a performance from Ian Ward, another of the Lichfield Poets who often reads on the poetry circuit. He made the most of his three minutes through delivering poetry without the preamble, letting the poems speak for themselves, as he gave us his take on 9/11, our dance and life at the Borderline. I often see poets give two or three minutes of explanation and then deliver a sixty second poem and I admire Ian’s approach last night as he maintained our poetry listening ears throughout his spot.

Claire Corfield - Fighting off Wasps

Next came Poet and Actor, Claire Corfield, whose stage experience showed through her presence in engaging and audience with an Ode to Speedo’s and the unattractive look that men of a certain age use to haunt Mediterranean beaches. She followed this with the first of three references on the night that played some sort of homage to Dylan Thomas. Her poem about the death of wasps in pints of summer beer was a triumph bringing in the thoughts of Thomas’ famous villanelle and ending with lyrics of Vera Lynn. She finished with a character piece, in the persona of a titled lady who liked killing animals. Great poems and an accomplished performance.

We were delighted further with the work of the leader of the Lichfield Poets, Janet Jenkins, whose imagery in her art inspired poems captured the flow and swirl of dance in Dancing for Degas; she followed this with Behind the Mask, as the painting of model Lily Cole wearing a mask berates the viewer as a voyeur. Janet finished by giving the awkward shaped figure in a Modigliani painting a voice that expressed her discomfort and dismay of being the muse, whose likeness would forever be seen as distorted effigy. Janet is to be commended for her expressive thoughts transferred into poetry using the art gallery as her muse.

Janet Jenkins - Inspired by Art

Following Janet came the first of the Runaway Writers’ from Burton, Terri Jolland, gave us a thoughtful piece on some of unconventional nature of her mother through dress making, which was finished with describing thunder as her late mother riding a Harley Davidson across the clouds. She further delighted us with a new take on Gilbert and Sullivan and the Modern High executioner. Both well received by the appreciative audience.

Janet Smith whose Poetry Trail Poem is about an Owl, continued with the theme of birds through magpies with two poems that gathered together the wild landscape, of moorlands and breezes into word images that occupied our minds, taking the natural world and rippling it into our thoughts. She continued this with her third poem on Cracker Butterflies and their associations with hamadryads. Janet is a voice that can hold a room, suspending the moment into which she fills with her words.

Janet Smith with fine words

To close the second part the fourth of the guest poets David Calcutt, who gave another excellent reading, even though it was briefly interrupted by the departure of the knitting group who had been… knitting – I guess, in the room upstairs.

David started with a poem inspired by Bronte Country, written in and around Howarth. His second poem that came from his work with people with dementia. Through fading memory come the shaking hands, which his observations led to him questioning “What are these Restless Creatures. This was a moving piece that provides and insight in to a condition that is shunned in the fear that we may end up that way and don’t want to face it. David’s work in the area of Dementia can only help to break down these barriers.

David finished with two nature poems, The enchanted forest, which described the wonder of the forest and its destruction, was followed by one of my favourite of David’s poems The Day of Leaving, inspired by a trip to Laugharne (second Dylan Thomas reference) in South Wales and is the observation of curlews and the significance of them moving on in the cycle of the year, another memorable performance of the night.


I had the honour of being guest poet to open the THIRD part with a selection from my recent commissions. I was followed by a poet new to all of us, Sheffield Skinny Matt, who had, as his name suggests, travelled down from Sheffield. He is to be commended for travelling all that way to deliver just a single poem. His humorous take on Matching Cardigan Couples was witty and sharp in its observation. It would be good to hear more from Matt in the future and to give him a space to give more than this brief taste of his work.

Following Matt, came Ben McNair who gave use a thoughtful piece entitled – This is how if feels before the rain, followed by a cleverly crafted unapologetic poem A Warning, which was well delivered and much appreciated by the audience – it is one of those poems that you think – wow, why didn’t I think of doing that. Both are available on Ben’s recent Kindle E-book collection.

Our third homage to Dylan Thomas came from the hilarious poetic tales from Alan Wales, who read an instalment from his Under Deadwood, delivered in excited tones as if we were in Brown’s Hotel bar in Laugharne. Alan gave a voice to daily lives through double entendre and playful quip that left the audience rolling with laughter in the way that only Alan can.

Margaret Torr from the Burton Runaway Writers followed with a poem Swan –that she describes as a white warrior on the Trent. She continued with a poem on the closeness of a relationship that can still have its distances with Running Parallel. Margaret always captures the essence of a feeling in her work and then delivers it as an accomplished story teller who engages the audience with her words and accompanying movements as she brings the swan into the room and the breeze between the lovers.

Tom Wyre reading from Soliloquy

Tom Wyre read from his collection Soliloquy with his well crafted poems Joe Hamster about life on the treadmill and The Whalers Anthem, the latter he wrote as a young man, still has the freshness of his more recent work. Tom has a presence and voice to also hold an audience and last night was not exception. His collection is one that I would recommend, with all the proceeds going to charity.

The final guest poet was Gary Carr, fresh from his guest reading at the Fizz and hosting Spoken Worlds in Burton. Gary gave an assured performance of some of his best performance pieces. Starting with his take on performing in front of a Microphone and moving on to nature of a man as an octopus. His love letter to his daughter has all the tender, caring expression of a father’s joy in being a parent, which he admits took twenty years to write, but then he was being a dad and enjoying the moments that all dad’s should. His poem Fish captures the relationship between man and his landscape and sharing the world with all of nature. He finished with his wonderful poem Without you, where he finds his virginity hiding in a box under his bed and careful restores it safely so that he does not lose it again. Gary writes poems that work on many levels from the sometimes flippant outer level to deeper meanings that nestle in our thoughts of understanding the world. An excellent performance from a respected poet.

Gary Carr - finding his Virginity

With still a few minutes remaining there was time for three sixty second slots, which saw Marcus Taylor tell of how he is God’s gift to the women of Birmingham, Guy Jenkins give his vision of Industry and Brian Asbury read his poem using only words beginning with M with Mad Military Mishaps. All too great effect.

Poetry Alight was a terrific evening of poetry and long may it continue even as an occasional event. It is a welcome edition to the poetry calendar in a place where you would expect poetry events to happen. The Lichfield Poets are to be congratulated for organising and promoting this fabulous first event and especially Gary Longden whose hosting skills made the evening flow easily and provided for the relaxed enjoyment of poetry.

The next Poetry Alight will be on May 15th 2012 at the Spark Café, Tamworth St, Lichfield.

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What is ANNOYING me this week?

The sound of TV Ads

What is DELIGHTING me this week?

Some New Poems


Walkin Man – The best of Seasick Steve.


This last week has produced some new poems and seen the first recordings of my Lost Poets for Radio Wildfire and the continued work on editing Double Booked.

The poems are for a new production of Pink Floyd’s – The Wall which is being staged in Tamworth in June. The production is being developed as a collaboration of community groups and local theatre groups and will use the original material from Pink Floyd with additional material including some poetry from myself.

The poems are in the very early stages of development and I have put the first drafts out to some of my fellow poets for critique which has been fed back to me over the weekend and I will work upon further during the coming week.

Yesterday saw me battle through the snow to get to the old gun quarter of Birmingham, where Radio Wildfire have their studio. This was for the first recordings of my Lost Poets series that will be broadcast on this popular internet radio station over the coming months.

Birmingham's Gun Quarter

Owing to the snow I set out early and as luck would have it the roads were pretty clear with not much traffic and so I arrived early and was able to catch up with Gary Longden who was recording his Longden’s listings, the monthly list of poetry and spoken word gigs in the English Midlands. Birmingham Poet Laureate, Jan Watts was also there, recording her monthly laureate’s diary.

Radio Wildfire broadcasts live, once per month and then the broadcast is put onto a loop (normally two weeks after the live broadcast) making it available on line throughout the rest of the month.

The next live broadcast is tonight 6th Feb at 8:00 – 10:00pm (UK Time). Dave Reeves who is the mastermind behind Radio Wildfire is assisted by his son Vaughn who produces the show and manages all the recordings.

Radio Wildfire Production Team in Action

The show consists of a variety of poetry and music from all over the world, plus interviews with poets and writers that Dave conducts mainly in the studio although more and more he is getting out on the road, catching people at gigs and recording material for inclusion in the show.

My piece started with an interview with Dave where we discussed the progress on the poets trail, the Fizz and the idea behind the lost poets’ series that I started on this blog last year and to date have covered 28 poets. It was a much better, more relaxed interview than the last one I did with Dave a few years ago, before the first phase of the poets trail was completed. That had been live and I felt I stumbled over my words and did not put on a good show. I later realised that wearing headphones and hearing the interview in such an unfamiliar way, especially my own voice had been off putting which had only added to my nerves.

This time we were not live and I chose not to wear the headset and so it just became a natural conversation between Dave and myself – Of course I have not heard it back yet so I will be listening in tonight to see how I can improve.

Recording Lost Poets without the headphones

I went on to record two lost poets Michael Drayton and Banjo Patterson, one of which will be added to the post show broadcast and then the loop of tonight’s broadcast.

I will be returning to the studio next month to record some more and will continue to develop the series over the coming months.

I am also really pleased that the theme music to my Lost Poets’ series is one of my son Jimi’s compositions. Dave will also be playing some of the music that Jimi composed for my films Pollysworda and Yell.

I am also hoping to do an interview with Dave on Radio Wildfire to publish on this blog in the coming weeks.

Radio Wildfire is promoting writers and poets from all over the world and is well worth a listen.

You can listen in tonight at 8pm at http://radiowildfire.com/ or to the loop at anytime outside the live broadcast.

Night Blue Fruit returns tomorrow at Taylor John’s in the Canal Basin in Coventry. This spoken word evening has been running for about seven years now and has seen many great poets read there. It was started by Jonathan Morley and the Heaventree Press and is the link to Cork for the Coventry Cork literature exchange. It is led by Antony Owen and Barry Patterson, two great poets from the city who both have had excellent collections published in recent years.

Antony was guest poet at the Fizz last September, when he delivered a very well received set accompanied by an ambient soundtrack. It was one of the best Fizz events that we have had at Polesworth and I look forward to having him back with new set in the future.

Barry is the guest poet at the next Fizz in March. Barry is one of the Poets Trail poets, who always delivers an engaging set with all the skills of the natural story teller, his words and voice resonate a lasting ambience of Natures Mystic.

Both will no doubt be at Night Blue Fruit tomorrow and look out for the posters for the Fizz on this blog in the coming weeks.

I am continuing with the edit on Double Booked which is probably the most time consuming aspect of film making. The opening, establishing shots are done as a rough edit, visually I want to tighten them up and the sound needs to be mastered to achieve a smooth transition between shot locations. At the moment it sounds like the change from the film to the TV Ads, I never understand why the sound levels increase when the broadcast goes into the transition between programme and TV ad, (well I do really, they want to make sure we are awake when the ads come on) – it annoys me and I more likely to hit the mute button until the programme returns.

That aside – my film at the moment has the same sound transition, pitch and roll between scenes, so this needs to be fixed.

I am currently working on the main dialogue scene, cutting in close ups to the main dialogue – this at the moment involves a lot of viewing, looking at the main film and deciding where and when to put in close ups – some of it easy – especially for the longer speeches other areas are more difficult. What I don’t want to do is have it flicking around too much that the visuals take away from the excellent dialogue that was written by Keith Large.

Keith’s excellent Radio play Talkers and Doers – which stars David (Dai) Bradley, who played Billy Casper in the film Kes, will also be broadcast on Radio Wildfire during tonight’s broadcast. So another great reason to listen in.

More on my lost poets in a couple of weeks.


Readings in February

Feb 7th – Night Bluefruit – Coventry.
Feb 21st – The Goblin Folk and Poetry Club – Ashby
Feb 24th – Spoken Worlds – Burton
Feb 28th – Poetry Alight at the Spark Café – Lichfield.

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